Mastered from the Original Master Tapes with Mobile Fidelity's One-Step Process:Folk SingerUD1S 180g 45RPM 2LP Box Set Is the New Reference of Muddy Waters' Acoustic Landmark
Premium Packaging Includes Opulent Box, Foil-Stamped Jackets, MoFi SuperVinyl LPs Pressed at RTI: Keepsake Strictly Limited to 10,000 Numbered Copies (Limit Two Per Customer)
The Greatest-Sounding Blues Album Ever Features Uncanny Dynamics and Presence: Joined by Buddy Guy and Willie Dixon, Waters Tells Unforgettable Stories Through Soulful Performances
Muddy Waters'Folk Singerremains rightly revered as the greatest-sounding blues album ever released– and, to date, one of the only bonafide audiophile records in the genre. Originally issued in 1964 by Chess Records, the all-acoustic work has made the rounds as a demonstration disc and benefitted from myriad reissues, all of which sought to improve uponWillie Dixon and Ralph Bass' legendary, subtlety-abundant production while bringing the musicians into your room. More than five decades after Waters, Buddy Guy, and company initially gathered in a Chicago studio in September 1963, those feats (and more) are finally accomplished indefinitive, unsurpassed fashion courtesy of Mobile Fidelity.
Strictly limited to 10,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LPcollector's edition pays tribute to the album's merit and enhances the intimate program for generations to come. Playing with reference-setting sonics that more than justify its existence in a field with prior audiophile reissues ofFolk Singer, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a set that inspiredRolling Stoneto deem it the 282nd Greatest Album of All Timeand proclaim it "a pioneering ‘unplugged' set beloved by blues and folk fans alike."
The premium packaging and beautiful presentation of the UD1SFolk Singerpressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets andfaithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the iconic photos to the gorgeous finishes.
Such potency reveals itself explicitly on a vinyl set affordedfull-range reproduction of Waters' tobacco-stained singing, booming reach, robust acoustic guitar, and instrumental accompanists – a Hall of Fame group that comprises a very young Guy, stand-up bassist Dixon, and drummer Francis Clay. Accurately portraying the scale of a human voice remains one of the most difficult tasks to accomplish on a recording. And yet thetimbre, richness, and realism of Waters' singing here convey the authority of its inner cavity and considerable depth, allowing notes to individually register all the while pairing with succeeding rhythmic passages in seamless fashion. The presence, feel, and contributions of Waters' esteemed colleagues register, too, with lifelike nature rivaled only by sitting in a small venue. Indeed, few albums of any style resonate with thereference levels of spaciousness, openness, and "room as an instrument" qualitiesto the extent ofFolk Singer.
Because of the the production's unassailable reputation, ironically, the actual performances onFolk Singeroften get short-changed or overlooked. That's a mistake. While much ado about the record's folk-like character and allegedly new direction surrounded the release, Waters' fourth proper album is nothing but the blues – and a direct extension back to his Delta lineage and unamplified roots.Sincere, emotional, direct, spontaneous, and interpretive, Waters and his mates play with their souls, completely skirting any notion of prescribed commercialism or pigeonholed definition.Folk Singerechoes with flexibility, liberty, and the artists' own unsullied visions. It could have happened on a Maxwell Street street corner.
Or, as Mr. Bass writes in the original liner notes: "Muddy's rich vibrant tones, sometimes pleading, sometimes whispering, occasionally shouting and chanting, tells [sic] us the story of a blues singer or for lack of a better word – a folk singer who can't tell you his story the same way more than once,whose interpretation changes as his mood and nostalgia serves him as on that one memorable dayI asked Muddy to sing ‘The Blues.'" And memorable storytelling, both in the narrative and instrumental form, dominatesFolk Singer, from the autobiographical "My Home Is in the Delta" to a cover the Sonny Boy Williamson staple "Good Morning Little School" to the solo "Feel Like Going Home."
Throughout, the nine songs transmit the innate proficiency and learned knowledge of virtuosos as they slowly roll and tumble with unmitigated freedom, informal playfulness, and understated sympathy. Steeped in the ways of the country,Folk Singerregisters with a magnetic power and palpable force by keeping quiet, in the process redefining what it means to be loud – as well as popular notions of the blues itself. What a ride.